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The Shooting Salvationist $17.95 The Shooting Salvationist chronicles what may be the most famous story you have never heard. In the 1920’s, the Reverend J. Frank Norris railed against vice and conspiracies he saw everywhere to a congregation of more than 10,000 at First Baptist Church in Fort Worth, Texas, the largest congregation in America, the first “megachurch.” Norris controlled a radio station, a tabloid newspaper and a valuable tract of land in downtown Fort Worth. Constantly at odds with the oil boomtown’s civic leaders, he aggressively defended his activism, observing, “John the Baptist was into politics.”   Following the death of William Jennings Bryan, Norris was a national figure poised to become the leading fundamentalist in America. This changed, however, in a moment of violence one sweltering Saturday in July when he shot and killed an unarmed man in his church office. Norris was indicted for murder and, if convicted, would be executed in the state of Texas’ electric chair.   At a time when newspaper wire services and national retailers were unifying American popular culture as never before, Norris’ murder trial was front page news from coast to coast.  Set during the Jazz Age, when Prohibition was the law of the land, The Shooting Salvationist leads to a courtroom drama pitting some of the most powerful lawyers of the era against each other with the life of a wildly popular, and equally loathed, religious leader hanging in the balance.   www.theshootingsalvationist.com From the Hardcover edition. |
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Curt Hammond, Club Founder, Shooting Wire Up in Tree with Arrow $79.99 Curt Hammond, Club Founder, Shooting Wire Up in Tree with Arrow Premium Photographic Print by . Product size approximately 12 x 16 inches. Available at Art.com. Embrace your Space – your source for high quality fine art posters and prints. |
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Fred Cool Shooters Shot Glass Mold $5.31 What’s cooler than a shot glass made of ice? Fill Cool Shooters water or your favorite juice, freeze, and then pop out four fully-formed with frozen shot glasses. A great way to add a little nip to your favorite sip! Pure food-grade silicone rubber, clear display boxes…. |
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Chef Williams 2023 Original Cajun Injector $2.50 Specially patented needle w/holes to deliver marinade throughout the meat. Injects 1oz. of marinade…. |
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Shoot Out the Lights $7.48 Real life intruded on Richard and Linda Thompson and turned Shoot Out the Lights into a harrowing masterpiece. The collection was difficult to create. Tracks from an aborted first attempt to record the album ended up on the Richard Thompson anthology Watching the Dark and the history of Linda Thompson Dreams Fly Away. It also became their final record together, lending extra poignance to such clas… |
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WHEELS ON FIRE 12 SINGLE (VINYL) UK POLYDOR 1987 3 TRACK INCENDIARY MIX B/W SHOOTING SUN AND SLEEPWALKING ON THE HIGH WIRE (SHEX11) PIC SLEEVE … |
This Canon 60d Test Is An Awesome Time Lapse, From My New Zombie Movie, Shot On The 60d The Approaching Apocalypse
I love the 60d, and did this test on it. The theme of this dark time-lapse is the zombie Apocalypse. The idea was to go from day to the black of a stormy day, almost like night. I was not really doing a Canon 60d test here, I was shooting some footage for my new zombie movie, on the 60d.
But let me turn the table again and call it a Canon 60d test: any time lapse is like a test, the photographer is at the mercy of the elements. What do I mean? You never know what you are going to get. That’s the fun of it. You can plan it, but the end result always surprises me.
The theme here is obvious in this Canon 60d test: the apocalypse is coming, darkness and danger is descending, swallowing everything in its path. It won’t take long until the Zombies will infest the streets and alleyways.
You will be watching raw footage. There are no fades, filters, or effects, its right out of the camera, I just slapped this footage together. In camera is the way I learned how to do it thirty years ago when effects were very expensive and difficult. Putting the footage through effects generators just does not look the same as when you do the effects in camera. Old school is sometimes the best school. The old rule says: what can be done in camera, should be done in camera. In this Canon 60d test there is not a lot of footage, and it took three storms to make. Time lapse of this nature takes a lot of patience. All it really took was getting the right manual aperture to achieve the evil atmosphere.
Like anything you can see on YouTube the quality is way below the original footage. But when this project is done it will look incredible on the I the big screen. I want to point out the dreaded time lapse flicker. Since you don’t know what you are getting, every time lapse is like a Canon 60d test. It is weired because sometimes you don’t get flicker, and sometimes you do. You can reduce the flicker in most cases. All you have to do is to use one exposure for every one second interval, this will give you a smoothest look, if not there is software to help you fix it.
The fact that light is actually changing every second, but our eyes can not perceive these changes, when the camera can, this is one factor, but I think it has something to do with the camera too. This is not a bad Canon 60d test, but the file is compressed, the blacks are noisy, and later, in the fished product, I would match the colors, contrast, and brightness, and crush the blacks a, but you get the idea. Get more info about Time lapse and the Canon 60d intervalometer.
Take a look now at my Canon 60d test:
Take a look at more cool footage, and also read my scary Canon 60d review here right now!